Familiar Territory, Unfamiliar Experience
As I explained in my previous post, my game design project is a campaign module for the renowned tabeltop RPG — Dungeons & Dragons, using the Fifth Edition ruleset. Because this is my first time at the other side of the table as Dungeon Master, I’ve enlisted the help of experienced friends and online resources to inform my design. In this post, I will outline my progress in designing this adventure so far.
Theme and Narrative; you all meet in a tavern…
I chose a setting that I’ve wanted to explore in a fantasy RPG for a while; a group of outcast adventurers in a travelling circus troupe that tour from city to city for money, while also encountering different subquests along the way. This general plot may sound familiar to Critical Role’s Mighty Nein campaign, and that’s because it is in a way. However, I want to set it apart as its own story by making the many quests and encounters within the module have narrative depth and weight that affects each character in the party significantly. In order to achieve this, I decided my module would come with pre-made character sheets that are highly recommended to use in the adventure. Each city on route for the tour of Mahléza Miserion’s Travelling Menagerie will have a plot hook directly relating to each character’s backstory, something that a DM usually does not know much about for a player-made character until their first play session. I spent a lot of time developing different characters based on circus acts and performances, while brainstorming a cultural conflict for my adventure world that would place them as outcasts within the game world. For this story, that conflict would have the mixing of different races be a taboo topic, leaving half-human children rejected by society and living on the outskirts of privileged lifestyles.
>>Click here << to see the finished (tentative) character sheets for this module
While I’ve made significant progress in my narrative by finishing each pre-made character sheet (using modular, class-based character sheet templates from DM’s guild), I’m yet to begin fleshing out the world around them and giving names to different places referenced in their backstories. I plan to now begin my write-up about the world as an introduction to the campaign, as well as develop a continent map for the game world. There are many resources online about map-making for fantasy RPG’s that I will make use of for this task. Once this is done, I can start creating encounters and quests to fill out each town on the character’s tour route.
Game Mechanics and Rules; proficiency in homebrewing
“A thematic mechanic, or a thematic mechanism, is one that is so integrally tied to the theme of the game that if you were to remove it, it would change the experience of the game itself. If you want to retain your theme, try to tie it in as tightly to the mechanics of your game as possible.”
Scott Rogers, designer of Rayguns and Rocketships.
First and foremost, I decided to adopt a milestone level system for this module rather than the default experience point system in D&D 5e. My reason for this is the narrative pacing of my campaign; there are certain story beats that require the heroes be a certain level to experience them fairly. In order to allow the players freedom to move the plot forward without needing to grind experience points first, they will level up to pre-determined milestone levels when reaching specific locations on the tour.
Something else that will set this adventure apart from the Critical Role campaign is that the circus troupe’s performances will be more integrally tied into the game mechanics with a few homebrewed rules and systems of my own. Each performance on tour will have a result determined by pre-requisite quests and a rolling system. This means the players will gain a different income and quest opportunities in that area based on how they go in their acts.
Apart from this planned feature, I have already homebrewed five new character backgrounds to fit the narrative and character backstories in my adventure module. I determined proficiency bonuses in two skills and two tools for each background, except for the Troupe Acrobat background designed for the character Lucia which instead has two skills, one tool, and one language. This is another example of designing my game mechanics with their relationship to the adventure’s theme and narrative in mind.
— Troupe Leader
— Skills; Performance, Persuasion
— Tools; Land Vehicles, Thieves’ Kit
— Beast Tamer
— Skills; Performance, Animal Handling
— Tools; Leatherworker’s Tools, Herbalism Kit
— Troupe Brawn
— Skills; Performance, Athletics
— Tools; Cook’s Utensils, Drums
— Skills; Performance, Sleight of Hand
— Tools; Dice Set, Calligrapher’s Tools
— Skills; Performance, Acrobatics
— Tools; Weaver’s Tools
— Languages; Celestial
Initial Playtest and Feedback; my plan from here onwards
I put my newly designed character sheets to the test with a small one-off play test. It involved about 30 minutes of general character roleplaying, then 1.5 hours of a test encounter with bandits ambushing the troupe’s caravan. The footage above is a small taste of that session, which was done over discord using a dice-roll bot and microsoft word as an encounter map with character tokens to keep track of combat. My playtesters commented that they really loved the characters, both in their gameplay/mechanics and backstories. Some advice I received as a first-time Dungeon Master and module designer was to reduce the number of enemies in the encounters to avoid lengthy and confusing combat. I was also told I needed to flesh out the starting village, which I fully intend on diving into now that I’ve sorted out my characters and general plot points. I think that for my next session of playtesting I will enlist the help of a more experienced Dungeon Master and see if my module is sufficient enough to be easily picked up and used by someone other than myself, especially one with the skills and game knowledge to make the most of the material given.
To summarise, my main agenda right now is this;
— Create a continent map for the adventure that names and outlines all significant locations from the narrative.
— Start fleshing out each town and village with NPC’s and sidequests to be done, including those relevant to character backstories.
— Homebrew a rolling system for the troupe performances that helps determine degree of success and income for the party in each leg of their tour.